Naunton Vase
A tall, softly sculpted ceramic vase in cool grey with a hand-formed, deliberately imperfect shape. Made in Europe, every surface detail earns its place.
At 30cm tall and 16cm wide, the Naunton sits somewhere between cylindrical and tapered: the kind of irregular silhouette that only comes from being shaped by hand on a wheel. The matte grey finish has an almost cement-like quality with subtle tonal variation across the surface. Not polished. Not uniform. Just honest.
The opening is generous enough to handle a loose arrangement. Think white roses, lilies, tall branches - stems that let the vase do its job quietly without forcing everything into a tight cluster.
It suits pared-back interiors. Marble surfaces. White shelves. Anywhere the grey tone and tactile finish can be appreciated without competition.
Original: $66.42
-65%$66.42
$23.25More Images
Naunton Vase
A tall, softly sculpted ceramic vase in cool grey with a hand-formed, deliberately imperfect shape. Made in Europe, every surface detail earns its place.
At 30cm tall and 16cm wide, the Naunton sits somewhere between cylindrical and tapered: the kind of irregular silhouette that only comes from being shaped by hand on a wheel. The matte grey finish has an almost cement-like quality with subtle tonal variation across the surface. Not polished. Not uniform. Just honest.
The opening is generous enough to handle a loose arrangement. Think white roses, lilies, tall branches - stems that let the vase do its job quietly without forcing everything into a tight cluster.
It suits pared-back interiors. Marble surfaces. White shelves. Anywhere the grey tone and tactile finish can be appreciated without competition.
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Description
A tall, softly sculpted ceramic vase in cool grey with a hand-formed, deliberately imperfect shape. Made in Europe, every surface detail earns its place.
At 30cm tall and 16cm wide, the Naunton sits somewhere between cylindrical and tapered: the kind of irregular silhouette that only comes from being shaped by hand on a wheel. The matte grey finish has an almost cement-like quality with subtle tonal variation across the surface. Not polished. Not uniform. Just honest.
The opening is generous enough to handle a loose arrangement. Think white roses, lilies, tall branches - stems that let the vase do its job quietly without forcing everything into a tight cluster.
It suits pared-back interiors. Marble surfaces. White shelves. Anywhere the grey tone and tactile finish can be appreciated without competition.
